
re/de/constructed language, 2022
Video projection with sound and mixed media
Installation view

re/de/constructed language, 2022
Video projection with sound and mixed media
Installation view

instructional drawing 3, 2022
Graphite, gesso, and watercolor on paper
44 x 30 in.

re/de/constructed (read), 2022
Video still
10:18

manual for instructional drawing 3 (page 39), 2022
Inkjet print on paper
8.5 x 11 in.

instructional drawing 7, 2022
Graphite, gesso, and watercolor on paper
44 x 30 in.

manual for instructional drawing 7 (page 119), 2022
Inkjet print on paper
8.5 x 11 in.

instructional drawing 9 (scan), 2022
Inkjet print on paper
8.5 x 11 in.

instructional drawing 9 (manual, page 30), 2022
Inkjet print on paper
8.5 x 11 in.

instructional drawing 10, 2022
Graphite, gesso, and watercolor on paper
44 x 30 in.
re/de/constructed language, 2022 explores language and the translation between image and text, written and computer language, and sonic and visual form. Grounded in the scholarship of Ludwig Wittgenstein, Walter Benjamin, and Hito Steyerl, the ephemeral works on paper become instructional inputs for the computer program Kurzweil 3000. The result is a visual and auditory re/de/constructed language which flows from a written mark to a mechanically generated alphabet to digitized sounds informed by both chance and the glitch of the algorithms. The installation oscillates between language and form, between art and communication, and between meaning and translation. This work was shown at the Carpenter Center for Visual Arts, Harvard University, spring 2022 and in a solo exhibition at Spoke Gallery, Boston, summer 2022.